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Morgan Herrin debuts new work at ADA GALLERY (Sept. 5, 09)

on June 16, 2009

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some images from the opening

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APRIL 2007 : DARLENE CHARNECO

Darlene Charneco & her main squeeze Brent are probably the sweetest and most hilarious people that the human race has produced lately. They are the coolest people in Southampton New York and the tri-state area without a doubt. Check out their photos of Darlene's show at ADA!!

SEDRICK CHISOM : THE GHOST OF WHITE PRESIDENTS YET TO COME : JANUARY AND FEBRUARY AT ADA GALLERY

“Year XX10, the final year of the Christian era. Twenty years after People of Color gave up on wypipo and left the planet to explore the cosmos, the enigmatic genetic disease revitiligo expresses itself amongst every yt on earth, imperiling whiteness. With no known cure, the remaining terrestrial nations of North America face unprecedented national turmoil as wypipo begin to develop dark skin pigmentation. President Maura Gardener of the Coastal Union of Civic States and President Ronald Tiller of the Confederate Disaffiliation of States concurrently declare a state of emergency for the countries they lead. A combined forces military operation between the Confederate Disaffiliation of States and the Coastal Union of Civic States is launched to search for Aryanness in Other Places. Scouts from both the CD of S and the CU of CS conduct a joint expedition in the polar ice caps of Monument Valley, where reports of monstrous people being sighted in the savage south have emerged...” S

Sarah Trigg, First Landings Between Undetected Earths : October 2019

FIRST LANDINGS BETWEEN UNDETECTED EARTHS October 2019 Sarah Trigg exhibits recent paintings and sculptures in her solo exhibition, First Landings Between Undetected Earths which opens Friday October 4, 2019 from 6-9 pm at ADA Gallery in Richmond, Virginia. After spending several years intermittently traveling the country visiting artists in their studios for what would become the book, Studio Life: Rituals, Collections, Tools, and Observations on the Artistic Practice, Trigg returned to her studio to find her paint had dried inside their jars. Inspired by the pigments and material nature of this evolution, Trigg found her new process which she now considers “geological—an ecosystem of building up sedimentary layers of paint often bearing the mark making of past acts”. The colors and textures found in these works are reminiscent of pottery found at the site of an unearthed ancient civilization. Trigg found a transformative direction with these new tools and began reworking older

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