Sunday, May 27, 2012

Tuesday, May 22, 2012

Matthew Fisher, "Asea, Aloof" Closing May 27th

Don't miss the newest work by longtime ADA artist Matthew Fisher. 
Just one week left to see "Asea' Aloof" so please stop by!
Mulherin + Pollard
187 Chrystie St.
NYC

Hero's Exit, 19" x 15"

Little Mother, 13" x 16"

.....So, 13" x 8"

The Flatlands, 19" x 23"


Mulherin + Pollard is pleased to present "Asea, Aloof," an exhibition of recent paintings and drawings by Matthew Fisher. Fisher is a Brooklyn, NY-based artist who makes stylized paintings that utilize symbolic placement, pattern, line, and a sense of the lasting touch of man on landscapes that reference universal timing, placement, and a frozen sense of now.

Fisher's latest works depict the sea as a contemplative space detached from human presence and often from any sense of land itself as well. Here, narrative is replaced by a concern with the quieter drama of the sea itself-the motion of its ripples, the fleeting nature of its form and appearance, and its interactions and relationship with light, space, the drifting clouds, and the passing of time.

Fisher was educated at the Columbus College of Art and Design and received his MFA from Virginia Commonwealth University in 2000. He has had numerous solo exhibitions including at Heskin Contemporary, New York (2010); RARE Gallery, New York (2009); ADA Gallery, Richmond, VA (2009 and 2006); and the University of the Arts, Philadelphia, PA (2006); and has shown extensively in group exhibitions in the United States and abroad. He was awarded a Fellowship in Painting from the New York Foundation for the Arts in 2010..


Sin Titulo, Cliff Hengst & Scott Hewicker, April 26–May 27, 2012









In Sin Titulo, San Francisco artists Scott Hewicker and Clifford Hengst explore the nether worlds between sublime mystery and lurid banality. In drawing, painting, videos and performance, both artists mine sparsely populated interiors and haunted objects that reflect on the anticipatory charge of discreet physical contact through experience, memory, and fantasy.

Hengst's watercolor and ink paintings on paper are based on dim light and shadows, and places people hide themselves both physically and emotionally. He investigates the darkness and mundane allure of anonymous settings and the strange and silent waiting game of boredom and promise.
Hewicker's acrylic on canvas paintings take on a wide breadth of subject and styles from muted objects and abstracted figurations, to blurry landscapes and soft focus interiors. His new paintings concentrate on the empty low-resolution environments of bedrooms, bathrooms and various public and outdoor spaces emphasizing a compulsive ambiguity between public and private.